The Best of Times

Last night I saw a production of "La Cage aux Folles" at Richmond Triangle Players. Go see it before it closes in June. You will not be disappointed! But this is not going to be a post/review about this production. Not to say that I didn't have a great time, I did! I laughed and cried a little, and even got the chance to sing along, but obviously this production affected me on a different level. I spent most of last evening dreaming I was in "La Cage", not the production, the world. I don't remember any specifics just that my everyday life was being spent with Georges, Albin and the Cagelles, and it felt real, and right and natural! When I woke up this morning it got me to thinking. What a wonderful world to live in! The show begins with several chorus "girls" (really men in drag) singing these words, "We are what we are" filled with the witty little lines of the hes becoming shes. It's a fun little number and a great way to start the show, but the same fun little number, later in the show, turns into a grand statement of pride and affirmation when Albin as his stage persona, Zaza, sings his true feelings when he realizes that his true love Georges and the son they raised together, Jean Michel, want to hide him away because of "what he is" It's an emotional moment because up until that hurtful realization Georges' and Albin's world has been free from that reproach and judgement. They have raised a son together as man and wife, married, committed and creating an environment loving their son and each other. Obviously, my subconscious longs to be in that judgement free world. RTP (Richmond Triangle Players) creates that world in their little theater on Altamont Avenue for anyone who walks through their doors. The audience last night was dotted with couples, gay and straight, old and young, men and women. An older male couple sat in front of me and several times during the show they reached over and touched each other with affection. It was so sweet, and later in the lobby when the show was over and the cast was mingling with the patrons, straight and gay alike, it felt like home. No one was casting condemning glances or making belittling comments. In our little world inside that theater we were in the world of "La Cage," and I liked that world. So thank you, RTP and the cast of "La Cage" for creating that world for me for a few hours on a Friday night, and thank you for all you do to extend that world past your doors!

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I spent an evening at the theater tonight. A friend of mine that I met last year when we did "Company of Angels" together, Lanaya Burnette, was cast in RTP's [title of show]. Richmond Triangle Players was running a special tonight for theatre professionals for 2 for 1. I decided that I would go with my daughter. I didn't really know what to expect. I no longer buy every new cast album that comes out of New York the way I did when I was in high school, and I haven't seen a show in New York since 1981. I had heard of [title of show], but had no idea what it was about except for the little synopsis on the Facebook events page. For some reason I thought it would be filled with old-fashioned campiness. Boy, was I wrong! It was edgy, and full of energy, and extremely contemporary. I'm new to contemporary musical theatre. I grew up with My Fair Lady and The Music Man. I remember when I was in middle school and I purchased the original cast albums to A Chorus Line and Chicago. I felt like I was getting away with something listening to the lyrics that contained the "words I wasn't allowed to say" peppered here and there occasionally in some of the songs. I saw the show tonight as a grown up, and I didn't have to go upstairs and listen to my album with my door closed for fear that I would hear my dad say I had to take the album back. I had the best time! I laughed and even cried a little. The cast is amazing and they work together like a well oiled machine, and the vocals are strong and blend together so well you'd think that these four actors really did write this show and worked on it for months and months. Daniel Cimo and Chris Hester establish a great rapport immediately with each other and the audience. One of my favorite numbers early on was "An Original Musical," I laughed out loud at Cimo's portrayal of  The Blank Page and Lanaya Burnette's rendition of "Die Vampire, Die" is humorous but thought provoking at the same time, and finally Georgia Rogers Farmer nails the power but also brings such a gentle sweetness to "A Way Back to Then" that I found myself wishing I had a tissue. The theatre wasn't nearly filled tonight, and that is a shame. RTP's production of [title of show] will be one that you will be sorry you missed, so don't take the chance. You only have until June 4th. Call for tickets!